Last Surreal Thursday of 2022

Another number is that, stacking. Is that, stacking? His door was Another Number – opened. Another Number opened. Opened soon after stacking, Another Number – about the table were drawn seven appetites. Drawn seven appetites.

It took me quite some time, but I finally drew a blank.

Heavy events stacked by other factors. By other factors. By other factors. By other factors, Another Number opened. Daybreak is creeping through Another Number now opened. Another Number opened – a crying river overthrown. A crying river overthrown. Sand over the thrown furniture was Another Number stacking. Was That, stacking?

It is now time for a commercial break.

 Now back to our show.

I have cooked the onions for the chicken. I can smell the signature! A distraught woman in her car reports the death of a client. Appetizing. A goldfish helps the religion. A goldfish helps the religion. Now watch this footage.

Another hole opened and flowed like a stormy river. This is Kawatani. Another peculiarity is the accumulation of sand on discarded furniture. Appetizing.

Women wear short hair because long hair symbolizes ritual among other things. There are other reasons. There are other reasons. Different numbers were released for different reasons.

The animation was moved later. It used the space bar to combine the animations and multiplied the water, so it slowly returned to the faucet. On the floor is a magical symbol inspired by a dream the Oneironaut told him. The ape tied his knot and changed his mouth about 50 times during its typical journey in late December.

Tooth Gems

Get Them Today !!

Can your dream partner reflect your cross-section?

Will your friend’s bones fly to the sky?

 

Payment is made during all meals. This ozone shakes with the snail! Each computer has a special coating on the back.  Be prepared to be shy.

Is it better to use a dual flow context instead of a hair net?

 

 

 

mixed asemics 1-3

 

 

 

I’ve been experimenting with blending collages, asemic compositions, and photographs, and then applying a variety of visual effects – pushing deconstructed text and asemic art into what I call expressive abstractionism & revealed  oblique existentialism. The compositions are, at least, aesthetically pleasing/interesting absurdist pieces of transformed text.

Dadaist Collage Prose Poems: Mastodon Sequence

As an experiment in both Mass Media Principles and creative writing constraints, I have been composing Dadaist Collage Poems within the limitations of Mastodon Toots(text-posts). A Tweet has a character limit of 280 – which works well with micropoetry, such as haiku, senryu, and tanka. A Mastodon Toot has a 500-character limit, which allowing for hashtags provides for a longer composition.

Each Mass Medium has its own set of codes and conventions. When you choose to create within that medium those codes and conventions become an implied space that provides both possibilities and limitations to the creative process.  The number of characters constrains the word choice, as does the choice whether to include hashtags. Also, the layout of the  public post is slightly different from how it appears on the shared Timelines of the users’ accounts – in effect, creating different visual configurations for different target audience.

****NOTE: Images used in this blog post were from the shared Timeline Toots. Click HERE to see them on my public Mastodon.art site.

The text for the poems was acquired from a Random Word Generator and bits of word and phrases from an assortment of online articles. They were then processed and edited within the constraints of the Mastodon character limit. So far, I have composed three of these Mastodon Dadaist collage prose poems.