the mural maps from Lost Lemuria

looking at the pieces of rice paper, the fibres twist, turn through threads of memories & dreams, drifting clouds caress sun’s rays & ocean’s sprays, turquoise green spirals up-downward pale confused awakening knowledge seeping through roots of time-generation’s call; emerging from mist memory – Lost Lemuria, some call Mu, Pan-Pacifica Zealandia, it calls out of fable reveries like childhood fancies fabricated in endless summer’s haze of greenflowerfragrancefolds-tornleafthornbarktears; kitten string play paws tangle-unwind mural maps from Lost Lemuria’s walls that sing-weeping for place-things now uncharted – spheres of knowledge etched woven to connect dream, sky, surf impassioned shores with the latitude & longitude of the pieces of ideated engraved equations.

 

lost continent’s lore

leaves holes in certainty’s stance-

fancy laps at feet

 

For more fancies see: Atlantean Wall Murals

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The Traveler – Harlequin of the Road

Today’s image serves as a notification that I have added a new page to Implied Spaces – The Keltic Layout for the Tarot : Plot Structure. Claudia McGill  had expressed interest in how the Eden Gray Keltic Layout can be used as a writing prompt, I finally have the page up and properly linked. The layout contains elements of both plot outline and the character sketch. Check out the page for more information.

NOTE: The image, one of my early attempts at creating a Tarot card,  is from What if Wednesday: Travelling to The Knick of Time , which is found on my blog, Dark Pines Photo.

 

Asemic Tarot Cards

Asemic Tarot 1 – Intersection Tooshna#-bib0ski-c/ha

 

 

Asemic Tarot 2 – Roar chah!k perogies

 

Asemic Tarot 3 – Oregano Anishinabe &*^

 

Asemic Tarot 4 – Basilikatata Vectorible ᐅᒃᐱᒃ-urgnto*?h

Asemic Tarot Background & Uses

 

Asemic Tarot cards are distinctive in non-being. There is no accurate meaning/interpretation for any card, nor is there any formal layout. The ranking is capricious, as is the size and shape; they do not fit any standard. The names are a blend of real and alternative languages using a mix of cultures and symbols. For example, ᐅᒃᐱᒃ is an example of the Inuktitut constructed script.

 

Note that the back/front side of the cards are comparable to an inner side of a Schrödinger box. You won’t know what it is until – see it, perhaps.

The most often displayed sides can be used for kitchen sink clairvoyance or getting rid of earworm melodies. They are effective tools in holistic detection of random events and objects, as well as helpful in remembering words/names you forgot you knew. They can also be arranged to present a possible map/chart to something or other, maybe.

The cards are very effective at anticipating/remembering alternative timelines, and ruptures in Hypertime or Déjà vu. It is best to record any insights using Doodles, Surrealist Automatism or Glossolalia.

 

 

walking after midnight

 

 

I go out walkin’ after midnight

Out in the moonlight

Just like we used to do, I’m always walkin’

After midnight, searchin’ for you…..

 

I walk for miles along the highway

Well, that’s just my way

Of sayin’ I love you, I’m always walkin’

After midnight, searchin’ for you……

Songwriters: Alan Block / Alan W. Block / Don Hecht

walking after midnight

 

Phantasm Photos: 1-4

 

 

Over the years the phantasm has been photographed . While changing photographic methods captured impressions of the entity to varying levels of success, there remains evidence of some features being consistent. This gives hope that one day a better understanding of the phenomena will be achieved. It is unfortunate about the photographers though, quite curious,….. Makes it rather difficult to get photographers willing to participate in research.